一个无风的盛夏，曾为作家的房仲周迅生，迎来一位房客，一个清澈稚嫩、热衷在生活中表演的剧场演员，他很快地成为迅生观察的对象。而在舞台剧《海鸥》上演前，演员痛失角色，却发现自己活成了迅生小说中的主角。一名渴望被凝视的演员，一名只能寄情于文字狂想的作家，戏里戏外，在不同角色间 困惑混淆，释放欲望。导演孔庆辉游走于多重文本与身份，辩证真实与虚假。
An audio-visual postcard that director Viera Čákanyová sends to the future, based on her fictional conversation with her future virtual copy. She playfully and intimately explores the potential of blockchain technology and artificial intelligence in solving complex man-made global problems such as climate change or the crisis of parliamentary democracy. From a curious and critical perspective, she questions the ideal techno-optimistic model of the future and offers a window into an unspecified future where some technologies behave randomly or negatively. By combining super 8, 16mm footage on film stock, special lidar scan technology and point cloud methods, she highlights the tension between analogue and digital future of humanity.
有一个“美国黑人魔法协会”(The American Society of Magical Negroes)，致力于让白人生活得更舒适，因为“白人活得不好，之后会有坏事发生在我们黑人身上”。一个年轻男子加入后，开始学习用魔法来执行任务，让白人开心。而有一天他遇上一个女子，因此对自己的工作和整个逻辑产生了怀疑……
